Autodesk attracted a lot of attention last year with the revamped version of Smoke for Mac OS X. I had originally been working on a review with the earlier version (Smoke 2012) but held off when I found out ...
Noise Industries was one of the first plug-in developers to leverage the power of the GPU by tapping into the core image component of Mac OS X. This approach took off when Apple added the FxPlug...
Hardly a day goes by that I don’t find a new way to use my iPad in pro video work. Here are three quality apps that make my professional life a bit easier.
Dale Grahn Color
They say that imitation is the sincerest form of flattery. It is...
Technicolor CineStyle Color Assist enters a market already crowded with color grading and looks applications and plug-ins, but since it is a color application from color technology pioneer Technicolor, it merits a look.
The concept of synchronizing clips by sound seems so obvious in retrospect, but when Bruce Sharpe showed his first version of PluralEyes at a small NAB booth, it struck many as nothing short of magic. The first version was designed...
Onboard monitors are a necessity in today’s workplace. Especially with the popularity of HDSLR cameras, whose small LCD screens make the already difficult challenge of focusing nearly impossible, having a high-resolution, larger screen on which to judge your image is of paramount...
Blackmagic Design’s purchase of DaVinci Systems put a world-class color grading solution within the reach of every video professional. DaVinci Resolve 9 sports a more versatile user interface that makes it easy to run,...
Ninja 2, a high-definition field recorder and monitor, comes from the Australian company Atomos. The creator of digital field recorders and converters, the company’s motto is...