February 2013 Digital Video Online Index
update
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NATL Crafts Show Package for Chainsaw Gang - DPA Mics Record Les Misérables
- MPC Grades Gus Van Sant's Promised Land
- Trapped in the Closet Unlocks New Workflow
- Leviathan Develops Wintry Campaign for North Face
- Psyop and Doner Storm Onto the Screen for JBL
- On the Creative Planet Network | Werner Herzog Documents a Year in Siberia
- IKA Collective Promos American Chopper
- A Birder's Guide to Everything Gets Aframe Dailies
- Trending Online | I Am Los Angeles: Seeing the City Through New Eyes
- Trending Online | Film Made at CERN Available for Free Download
- Life Is Love Illuminated with Litepanels
- Notre Dame Chooses Telestream for Game Highlights
- Spotlight | Jonathan Demme, Director and Lindsay Jaeger, Producer, I'm Carolyn Parker: The Good, the Mad and the Beautiful, by Joy Zaccaria
feature
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Reimagining the Nature Documentary: New Tools and Techniques for BBC/Discovery’s Africa, by John Merli
look
- Small Town, Big Sensors: The Digital Cinematography on Cinemax’s Banshee, by John Merli
- Big Sur: Beat Generation Tale Told with Next-Generation Tools, by Jon Silberg
- Punk Rock Protest: Tracing the Trials of Russian Band Pussy Riot, by Jennifer Wolfe
- Bill Viola’s Video Visions: Turning Tristan und Isolde Into An Immersive Experience, by James Carless
- Front Lines: Witness: Capturing Photographers in Conflict Zones, by Jon Silberg
lust
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Mobile and Modular: In the Field with Marshall’s V-LCD90MD-3G, by Carl Mrozek
- Synched Up and Grown Up: Red Giant’s PluralEyes 3 Evolves Into A Robust Editorial Tool, by Oliver Peters
learn
- On the Set or in the Suite: Developing DaVinci Resolve Workflows, by Oliver Peters
- Tips to Clip: February 2013, by Dick Reizner
- Instant Expert | iPhone/iPad Videography Video Hardware and Apps for Your iPhone and iPad, by Ned Soltz
- DV101 | Light and Luminance: Considering the Histogram: The Evolving Tools for Digital Exposure, by Jay Holben
- Production Diary | My Eye in the Sky: The Ultimate, Infinite Jib Is Mine, Mine, Mine, by Stefan Sargent
- Editor's View | Further Up, by Cristina Clapp




