update

• Nikon's D800 Shoots Wilfred
• Juan Salvo and Cookie Monster Make "Maybe" Magic
• Lawless Captured with Alexa and Codex
• Shilo Promos Project Runway
• Shooting Taylor Swift's One-Take Wonder
• On the Creative Planet Network | Peter Suschitzky on Cameras, Cars and Cosmopolis
• On the Creative Planet Network | Luke Scott's "Loom" Available for Download
• Trending Online | Riding the 3D Wave for Storm Surfers
• One Fine Day Opens ABC Family's Bunheads
• "Nightfall" Soars with Floatcam DC Slider System
• Spotlight | David Vassar, Writer, Director and Co-Producer, California Forever, by Joy Zaccaria

feature

• Back to School: Michel Gondry Gets a Digital Education for The We & the I, by David Heuring

look

• Time-Space Continuum: Atomic Fiction’s Effects for the Futuristic Looper, by Oliver Peters

• A&E’s Coma: New Imaging Tools Bring This Thriller Back to Life, by Jon Silberg

• Arresting Visuals: Digital Capture and Dynamic Range on Dexter

• Power Struggle: Realizing J.J. Abrams’ Post-Apocalyptic Series, Revolution, by Jon Silberg

• Love and War and Waveforms: Walter Murch Heads to the Front Line for Hemingway & Gellhorn, by Oliver Peters

lust

• Next for NXCAM: Sony’s HXR-NX30U Camcorder Is Compact and Capable, by Ned Soltz

• Prep Your iPad Presentation: Red Giant’s Magic Bullet Arsenal Takes on the Tablet, by Oliver Peters

• iPhone Imagination: Schneider’s iPro Lens System Advances Smartphone Cinema, by Jay Holben

listen

• Sound Design for Deep Space: Audio, Androids and Aliens on Prometheus, by Blair Jackson

• Their Finest Hour: Composing the Score for the NBC Olympics Special, by Tom Kenny

learn

• Camera Class | Considering the Video Capabilities of Nikon’s D800, by Jay Ankeney

• Encodes, Transcodes and Workloads: What Editors Need to Know About Life in the Cloud, by Ned Soltz

• Cloud Formations: The Nature of Cloud-Based Storage and Networking, by Karl Paulsen

• Tips to Clip: October 2012, by Dick Reizner

• Instant Expert | Time-Lapse and Stop Motion: Hardware, Software and Gizmos, by Ned Soltz

• The ParaNorman Process: Creating the Stop-Motion Comedy with Canon EOS 5Ds

• 360 Degrees of 4K: Making Matchbox Twenty’s Video for “She’s So Mean”

• DV101 | Maintaining Your Image Integrity Master Class on Monitor Calibration, by Jay Holben

• Production Diary | Nude with Camera: Yesterday When We Were Young, by Stefan Sargent

• Editor's View | Inspiration Strikes, by Cristina Clapp