I’m sure many of you remember NAB Show 1996 where Sony and Panasonic introduced their DVCAM and DVCPRO formats. What was fascinating is both companies made great efforts to distance their new “pro” formats from “consumer DV.”
Now that quite a few raw cameras have come to market, we are in a different situation. Rather than companies working hard to create proprietary differences between their products—when at their codec heart—they are quite similar; we have companies not differentiating on the basis for their recording “format.” Instead, sensor size, sensor resolution, lens mount, and dynamic range are now key differentiators.
Raw: What It Is and What It Is Not